Daniel Leonard Knox

The spectral geography of the colonial legacy in Bristol is marked by a series of absences from official and tourist narratives about the city. The people and practices of the Atlantic slave trade are part of the historical and contemporary fabric of the city and persist as ever-present spectres. There are significant differences of view that agree with little beyond that the city was a major port of Empire and a significant site in the triangular trade. Bristol is commonly portrayed as a multicultural city with a rebellious spirit and a strong commitment to social justice. This urban imaginary is evident in accounts of the removal of a statue of Edward Colston, a slave trader and philanthropist, during a Black Lives Matter rally in 2020. The now empty plinth of the Colston statue has become a contested, liminal space that sits between disparate interpretations and radically different points in time in terms of social relations. Individual and collective memories and stories about slavery constitute hauntings in a spectral geography of Bristol. Such stories are rarely heard, and the city is thus haunted by the absences of the voices of those enslaved and a lack of knowledge of the role of slavery in the growth and historic prosperity of the city. Little has been done to incorporate such dissonant heritage and so the histories of slavers, slavery, and slaves are not significant themes in tourism marketing, attractions or experiences in the city. This paper demonstrates that a process of coming to terms with difficult heritage and associated hauntings offers significant potential for tourism to contribute to historic and contemporary social justice.