Abstract
While the multifaceted interplay of anarchism with art, as well as the visual and literary culture of Belle Époque anarchism have been researched extensively, the relationship between syndicalism and creative arts remains largely unexplored. This chapter traces the mobilisation of arts in the context of pre-1914 French syndicalism, as a propagandist device as well as a prefigurative practice. It argues that art remained integral to the discourse and propaganda of the French syndicalists: access to art was also pivotal to the syndicalist vision and the educational project which lay at its core, as visible in particular in the importance attached to education by French syndicalists, and the place of arts within it. As in the anarchist period, these practices and concerns had transnational ramifications, and a similar interest in art may be observed in other countries. However, the relationship between art and syndicalism was both less symbiotic and more inclusive than in 1890s anarchism, in terms of ideals, propaganda and militant personnel. This difference was important in distinguishing both movements on a variety of levels: the lesser centrality of art to syndicalism partly accounted for its perception as being institutional and narrowly “workerist”. However, syndicalism deployed a broader and less elitist cultural strategy to convey its political message and strategies – thus acting out and shaping a different understanding of political and artistic vanguardism.