Abstract
Representing a complex acoustic scene with audio objects is desirable but challenging in object-based spatial audio production and reproduction, especially when concurrent sound signals are present in the scene. Source separation (SS) provides a potentially useful and enabling tool for audio object extraction. These extracted objects are often remixed to reconstruct a sound field in the reproduction stage. A suitable SS method is expected to produce audio objects that ultimately deliver high quality audio after remix. The performance of these SS algorithms therefore needs to be evaluated in this context. Existing metrics for SS performance evaluation, however, do not take into account the essential sound field reconstruction process. To address this problem, here we propose a new SS evaluation method which employs a remixing strategy similar to the panning law, and provides a framework to incorporate the conventional SS metrics. We have tested our proposed method on real-room recordings processed with four SS methods, including two state-of-the art blind source separation (BSS) methods and two classic beamforming algorithms. The evaluation results based on three conventional SS metrics are analysed.