Abstract
Only three weeks after the events of 11 September 2001 (hereafter 9/11), Aaron Sorkin’s The West Wing delivered a special one-off episode, outside of usual storylines. The episode, titled ‘Isaac and Ishmael’, is interesting because it adopts an explicitly pedagogical theme to teach viewers how to think about the events of 9/11. The episode can thus be read as an instance in the wider construction of the meaning of those events. In this respect, this article argues that the production of the episode contributed to notions of rupture and exceptionalism. In addition, despite the potentially ‘liberal’ and ‘academic’ lessons given by the show’s stars, the extensive contextualisation of the previously incomprehensible events for a dominantly American audience actually relayed, amplified and reinforced the emerging dominant discourses of the Bush Administration. Accepting and repeating official tropes, The West Wing ultimately served to further limit space for debate in the wake of 9/11.