Abstract
The life and art of Oscar Wilde are of enduring interest to contemporary readers and audiences who remain fascinated not only by his work, but also by his biography. The dramatic nature of the three trials that took place in 1895, and Wilde's spectacular fall from grace following imprisonment and exile, speak to our own period in which questions of gender and sexuality are topics of continuing tension and concern. This essay examines two examples of contemporary writing that are informed by Wilde's biography and oeuvre: Will Self's novel, Dorian: An Imitation (2002), and Craig Wilmann's drama, The Picture of John Gray (2014), and offers the first academic analysis of Wilmann's play. Exploring these works through the lens of neo-Victorianism, it considers the balance between history and fiction in each text. Drawing on Ricoeur's treatise The Reality of the Historical Past (1984), it proposes that Ricoeur's concept of the Analogue, which encompasses both the imaginative reconstruction of the past through the documentary trace and the adoption of the critical distance required to understand it, provides a new way in which neo-Victorian literature might be understood.