Abstract
This paper traces the gradual adoption of the 'diagonal mix' aesthetic in rock recordings on the late 1960s and early 1970s
- Title
- The establishment of the virtual performance space in rock
- Creators
- A MooreR Dockwray
- Publication Details
- twentieth-century music, Vol.5(2), pp.219-241
- Date published
- 2008
- Date submitted
- 16/05/2017
- Identifiers
- 99515920502346
- Academic Unit
- University of Surrey
- Resource Type
- Journal article