Abstract
This article examines anxieties concerning organ transplantation in Nalo Hopkinson’s prize-winning novel Brown Girl in the Ring (1998). The main focus is how this novel re-imagines subjectivity and selfhood as an embodied metaphor for the reconfiguring of broader socio-political relations. In other words, this article analyses the relationship between the transplanted body and the body politic, arguing that a post-transplant identity, where there is little separation between donor and recipient, is the foundation for a politics based on responsibility for others. Such a responsibility poses a challenge to the race and class segregation that is integral to the post-apocalyptic world of Hopkinson’s novel. Transplantation is not a utopian vision of an egalitarian society coming together in one body; rather, this biotechnological intervention offers a potentially different mode of thinking what it means to work across race, class and embodied division, while always recalling the violence that might facilitate so-called scientific progress.