Abstract
This essay explores the representation and theorisation of the city in Teju Cole's novels - Every Day Is for the Thief (2007), Open City (2011), and Tremor (2023). It argues that Cole's writing articulates a new grammar of city-ness premised on historicised relationality and comparative thinking, thus challenging paradigms of urban representation that universalise the Western city. In particular, I propose that Cole's novels offer a rewriting of Lagos and New York as specifically textual constructions, in which histories of modernity and colonisation get crystallised into their social geographies and cultural infrastructures. By close reading these texts and by drawing from the insights of postcolonial and literary urban studies, I analyse the formal devices - from variations in perspective to restricted focalisation - that Cole employs to textualise the city and its political histories. Through form, Cole's novels raise crucial questions, both ethical and narrative, about representability, language, and historical violence in urban settings.