Abstract
This article highlights how in the UK ageism derives from invasive and pervasive capitalist practices, where our cultural understanding of 'being old' is driven by institutional exit from the labour market. The article explores how ageism has bled into applied theatre practices and problematizes the widespread use of reminiscence theatre as an ageist methodology, as it restricts older people's experiences to the past. Issues of power between the facilitator and practitioner are also explored by questioning the exclusive nature of reviewing and editing older people's personal recollections and who determines what memories have creative value. This article advocates that the field must now fracture away from reminiscence models and instead I propose an Anti-Ageism Praxis (AAP), which functions as a resistance against the invasion of capitalist informed ageism and oppressive ageist theatrical engagement. Instead, AAP places emphasis on shared power, co-collaboration, being present and creating theatre that is informed by real time moments, feelings and thoughts.