Abstract
This article traces the emergence of the ‘Dolly Varden’ dress, a brief sartorial craze that rose to prominence shortly after Charles Dickens’s death in 1870 and which remained in vogue until 1873. Inspired by the lively heroine of Dickens’s historical novel
Barnaby Rudge
(1841), the Dolly Varden dress was a specific type of polonaise. Its appearance on the fashion market thirty years after the text’s initial publication is intriguing, yet only a handful of academic works have considered the significance of this sartorial style. Existing scholarship has tended to focus on the fashion trend’s connection with nostalgia and the expansion of commodity culture in the late nineteenth century. Contrary to these viewpoints, this essay argues that Dickens’s celebrity and his untimely death precipitated the trend for such a gown. Seeking to reframe the dress as a particular form of parasocial interaction, this article aims to reposition the women that wore it as active and autonomous fans. Considering the cultural and sartorial ends to which the Dolly Varden dress has been appropriated is significant, this essay argues, because it illustrates the iterability and enduring popularity of Dickens’s characters, whilst also contributing to our collective understanding of the influence of the death of a celebrity figure in the late nineteenth century.