Abstract
Valie Export is an artist, filmmaker, curator and educator whose work has been central to the feminist avant-garde. Beginning in the 1960s the radical, politicized approach taken by women artists working both independently and in collectives in many different countries came to be associated with the Second Wave of Feminism. A central achievement of the movement has been to destabilize the understanding of art as the product of male genius (Schor 2016: 23). In the process of building gender consciousness, the strengthening of the female voice within and across the institutions of politics, education and culture has also been a goal. As with the image, however, the very idea of the female voice has required deconstruction.