Abstract
A study of the melodramatic use of Mahler's First and Second Symphonies in the ballet 'Dracula' by Mark Godden and its screen re-working as 'Dracula: Pages from a Virgin's Diary' by Guy Maddin
- Title
- 'Dismembering the Musical Voice: Mahler, Melodrama and Dracula from Stage to Screen'
- Creators
- Jeremy Barham
- Contributors
- S Hibberd (Editor)
- Publication Details
- Melodramatic Voices: Understanding Music Drama, pp.237-262
- Series
- Ashgate Interdisciplinary Studies in Opera
- Publisher
- Ashgate; Aldershot
- Date published
- 01/11/2011
- Date submitted
- 15/06/2012
- Identifiers
- 99512755802346
- Copyright
- Copyright 2011 Ashgate Publishing
- Academic Unit
- Department of Music and Media
- Language
- English
- Resource Type
- Book chapter