Abstract
Animation and documentary may seem an odd couple, but Animated Documentary shows how the use of animation as a representational strategy for documentary enhances and expands the realm of nonfiction film and television. From prehistory to states of mind, animation can show and evoke things that elude live-action. The current boom in animated documentary production is situated in the historical context of the cross-pollination of animation and documentary, before exploring the different ways animation functions in the animated documentary. Through analyzing films and television programmes such as Waltz With Bashir and Walking With Dinosaurs, this volume – the first to be published on this fascinating topic – demonstrates that while animation might at first seem to destabilize documentary's claim to represent reality, the opposite is in fact the case. Table of Contents: List of Figures Acknowledgements Introduction 1. Representational Strategies 2. Digital Realities 3. Animated Interviews 4. The World in Here 5. Animated Memories Afterword Notes Bibliography Index